Categories MusicPosted on

Musician Ash Koosha On the United States Travel Ban: Sublime Irony

‘I grew up in post-revolution Iran, an environment full of conflict between revolutionary values, global progress and social freedom. This conflict was reflected daily in my own life. I was discouraged from learning music and practising any creative expression that was at odds with 1979 revolutionary values.

I was jailed for organising and performing a concert in Iran. Later I was accused of promoting western values and in turn revealing the extent of Iran’s censorship and ban on many forms of contemporary arts. Consequently, I found myself, my family and friends in exile, both in Europe and the USA. This was a sad drain of creative minds, and youthful energy from a country that desperately needed its younger generation.

We suffered through anxiety, distress and a crisis of identity while in exile. We even lost friends to death in the aftermath of this transition. We became refugees; not celebrated artists.

In a new-found freedom in the UK, after a battle with these newly imposed dilemmas, I was able to speak out via music, sound and technology. I released an album that celebrated the future and explored technological ideas that could push our experiences of sound forward. I was able to see beyond my geography and contribute to what it is to be ‘human’. Be it music, film, exploring the future of humanity and tackling issues such as Universal Basic Income, climate change, and more.

I was about to travel to the USA last summer for the first time. It was time for me to see a great country that contributed to art and technology for generations and stood for progress, peace and freedom. Even though I spent a lot of money to start a petition in order gain entry (which was accepted) I still didn’t receive my visa on time. So my first tour in the US was cancelled due to ‘Administrative Processing’. All of my ambitions, contributions and efforts were reduced to bureaucratic paperwork that left me feeling betrayed and burdened because of my ‘place of birth’.

No one chooses to be exiled and no one chooses to be born in one place or another and it is in no one’s interest to ban global progress, something that many people from different nationalities are contributing to daily and they are doing it all for the future of humanity. The global progress, unfortunately is being threatened by executive orders of Donald Trump in an unjust entry ban on refugees. A ban that also affects scholars, students, family members, artists and the mere tourists with no intention of settling in the USA.

This executive order will prove ineffective in its supposed goal of defying terrorism. It is the outcome of petty political pandering to the detriment of thousands. Personally, I won’t be able to go on my USA tours, share my discoveries in sound and music or promote the first VR album experience in the biggest market in the world. More importantly, refugees won’t find safety, families won’t be reunited, academics won’t be able to continue their research and people are stranded in a limbo of unknown future.

Donald Trump came to power claiming that he’ll make America great again. But this seems impossible without the contributions from many, many people, of whom I am only one.’

Ash Koosha – January 2017

Seen this week

Categories DesignPosted on

Sculpture in the City, Art for Everyone

SEEN thoroughly enjoyed a preview of the 18 new artworks around the financial district’s square mile. Set up by The City of London in 2010, this excellent initiative expands its footprint every year, improving the area and proving that when people are happy, they work better.

Categories ArtPosted on

Alex Evans at the Foundry Gallery, Chelsea Quarter: LDF17

The astute reader will have noticed that SEEN loves art about London. There are many artists in this city who draw (pun intended) their inspiration from it, none more so than Alex Evans whose fractal renderings hint at the entropic nature of urban life and perhaps also our anxieties and isolation in the 21st century. His latest exhibition ‘Invisible Systems’ can be seen at the Foundry Gallery, tucked away off the King’s Road until 26th October.